Exterior Photography

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004 house & Pool
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42The Office Club
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55-Stanbee
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076 2
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082Dusit_Thani_ST-RT
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143 Pool Area night
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219 no logo
1180
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1191
1741
Copy of 857-Lotus
pool020
pool025
PlayPause
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001
2d
004 house & Pool
008
025 copy
25
26pano
28
028Dusit_Thani_ST-RT
031
035-Pano
42The Office Club
046
047
52-RT
55-Stanbee
060
076 2
081-foxlea-garden-Villa-
082Dusit_Thani_ST-RT
100
104
109
118-SRV
118
122-SRV
123-SRV
126
129
133-RT
143 Pool Area night
143
172
178
219 no logo
1180
1182
1191
1741
Copy of 857-Lotus
pool020
pool025
previous arrow
next arrow
Shadow
001
2d
004 house & Pool
008
025 copy
25
26pano
28
028Dusit_Thani_ST-RT
031
035-Pano
42The Office Club
046
047
52-RT
55-Stanbee
060
076 2
081-foxlea-garden-Villa-
082Dusit_Thani_ST-RT
100
104
109
118-SRV
118
122-SRV
123-SRV
126
129
133-RT
143 Pool Area night
143
172
178
219 no logo
1180
1182
1191
1741
Copy of 857-Lotus
pool020
pool025
PlayPause
previous arrow
next arrow
001
2d
004 house & Pool
008
025 copy
25
26pano
28
028Dusit_Thani_ST-RT
031
035-Pano
42The Office Club
046
047
52-RT
55-Stanbee
060
076 2
081-foxlea-garden-Villa-
082Dusit_Thani_ST-RT
100
104
109
118-SRV
118
122-SRV
123-SRV
126
129
133-RT
143 Pool Area night
143
172
178
219 no logo
1180
1182
1191
1741
Copy of 857-Lotus
pool020
pool025
previous arrow
next arrow
Shadow

Getting an amazing shot for a magazine, creating a great view of a house for a real estate company, my objective is always to make the building look stunning with a careful mix of composition and lighting, daylight and use of props available such as recliner chairs, tables & plants.
When working with a DSLR fix back camera, where the back of the camera is parallel to the lens, we need to look up or point down this creates the parallax effect, this is when vertical walls converge in or out of the frame, this effect is usually undesirable, so I correct in post-production along with all the other adjustments.

Photographs of old buildings, is straightforward and simple finding the best POV "point Of View", highlighting the character of the building. It's usually best to include some of the foreground and background to show perspective.
Photographing modern architecture I prefer an abstract approach. Shooting wide and low to distort perspectives shoot with interesting elements of the architecture dominating the frame.
Early Night-time or the "magic time" as I call it Is a real buzz for me as daylight becomes "balanced" with the artificial lighting. I will take care to illuminate large shadow areas to prevent "black holes" in the picture, The time this "magic time happens is actually a fleeting moment just after sunset and it only lasts for a few minutes.

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